Fujica Single 8 P300 User Manual

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Fujica AX-5

How to see the Depth of Field All the interchangeable lenses of the FUJICA ST605N are provided with a depth of field indicator on the lens barrel For example, if you are using an F2 2 55 mm normal lens and have set the aperture at f/8 and the distance at 15 feet (5 m), everything from about 11.5 feet (3.5 m) to 28.5 feet (8.7 m) will be in focus.


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Fixed images 7-9-'02

CONTENTS

Special features .. . . .

Names of parts ..........

Getting ready to take pictures . . . . .

1 Attaching the strap and putting the camera in its case ...

2. Mounting and dismounting the lens . . . .

3 Loading and checking the battery . .

4. Loading the film .......

5. Setting the film speed selector . .

6. Aiming the camera . .


Taking automatic exposure pictures

1. Numbers and letters on the Shutter .

2. Choosing the exposure mode . . .

3. Viewfinder information...

4. Programmed automatic exposure ...

5. Aperture-preferred automatic exposure...

6. Shutter-preferred automatic exposure....

7. Focusing the lens ........

8. Rewinding the film .......


(1) This compact, lightweight, aperture-preferred AE camera has a built-in microcomputer, product of the latest in electronic engineering, to insure high precision automatic exposure in candlelight to sunlight.

(2) Five LED shutter speed indicators in the viewfinder let you set exposure in an instant so that you won't miss those once-in-a-lifetime shots. Three-way (split-image, microprism, ground glass screen) focusing lets you focus any type of subject quickly and sharply.

(3) Soft-touch electromagnetic

(5) Fujica X 'short turn' (65° ) lens mount permits quick lens changing and accepts the entire line of new X-Fujinon interchangeable lenses from wide-angle to telephoto as well as other lenses to take full advantage of the SLR system.

1. Attaching the strap

* Slide back the strap end hoop as shown.

* Hold the clamp between your fingers as shown and pull out the metal clip.

* The clamp may be tight when it's new. If you find it difficult to pull out the clip, open the clamp with your fingers and pull it outs

* Hook the clip to the camera's Strap Eyelet and push the clamp forward to lock the clip.

* slide back the strap-end hoop tightly against the clamp.


Putting the camera in its case

Put the camera in its case and secure the cam to the strap with the flaps provided on both sides of the case by closing the snaps. Next, put on the case cover,

To take the camera out of its case, repeat (5) in reverse.

2. MOUNTING AND DISMOUNTING THE LENS
Position the red dot on the lens rear opposite the red dot on the Lens Mount, then push the Lens in and turn it 65° to the right (clockwise). It will lock into position with a click.

While pressing in the Lens Lock toward the camera body, turn the Lens to the left (counter-clockwise} as far as it will go, then pull it out toward the front.

Using the Rubber Lens Hood

3. LOADING AND CHECKING THE BATTERY
When shooting against the light, fit the accessory Rubber Lens Hood on to the lens to prevent flare and ghost caused by the light falling directly on the lens surface.

Choosing the Right Battery You can use any one of the following batteries but be sure to use a new batter.
6-volt silver oxide battery: (4SR44)
6-volt alkaline manganese battery: (4LR44)
6-volt lithium battery

Notes: 1. One new silver-oxide battery and lithium battery will normally last about 6 months, and one new alkaline-manganese battery about 4 months.
2. Before loading, wipe both ends of the battery clean with a dry piece of cloth.
3. If you are not taking pictures for a long while, remove the battery before putting the camera away.
4. It is recommended to use a silver oxide battery for shooting in cold weather.


(1) Remove the Battery Compartment Cover by pushing the Cover Lock in toward the Lens with your
fingernail and lifting it up.

(2) Insert the battery, plus (+) and minus ( - ) ends correctly, as shown in the Battery Compartment.

(3) The battery will load easier if you insert the minus ( - ) end first.

(4) To unload, press down and pull out the plus (+) end of the battery with your fingernail.

(5) Replace the Battery Compartment Cover by sliding in the inner edge and pressing the cover down.

If the battery is not up to the required strength, you will not get properly exposed pictures because your Fujica AX-5's shutter is electronically controlled regardless of the exposure mode employed.
Make it a habit to check the battery before you start taking pictures.

(1) Turn on the main switch.

(2) While looking through the Viewfinder, press the Shutter Release halfway down.
(3) If the red LED opposite the letter 'B' at the bottom of the shutter speed scale blinks (about 4 times a second), it's time to change the battery. However, if you are using an alkaline-manganese battery, the LED will start to blink earlier than when using other types of batteries. In this case, there is still enough power left to expose several rolls of film.

(4) If no LED turns on in the viewfinder, the camera will not operate because the battery strength is insufficient.

Notes: 1. If you are taking your camera on a trip, be sure to bring a spare battery along.

2. When shooting in cold weather, check the battery frequently because low temperatures will reduce battery efficiency.

Main Switch

Your Fujica AX-5 has a main switch (ON/OFF/Self timer Lever) on the left side top of the camera (next to the Film Speed Selector). Before you start taking pictures and before you check the battery, be sure to switch it ON by pulling the lever out toward 4. LOAD THE FILM

Use cartridge-packed 35mm roll film (135 type) Always load and unload film in subdued light

(1) Open the Camera Back by pulling the Film Rewind Knob all the way out. (It will not open unless the knob is fully pulled out.)

(2) Drop the film cartridge into the Film Chamber with the spool head (protruding portion of the cartridge) pointing to the camera bottom, then push the Film Rewind Knob down to its original position.


(3) Pull out the film tip and insert it deeply into the slot of the Take-up Spool, but make sure it doesn't go through the spool hub.


(4) Wind the film with a stroke or two of the Film Advance Lever and make sure the Sprocket Teeth catch the film perforations.


(5) Erect the Film Rewind Crank and turn it in the direction of the arrow to take up any slack in the film, make sure the film is properly positioned between the guide rails, then close the Camera Back.


(6) While watching the Exposure Counter, wind the film with the Film Advance Lever and press down the Shutter Release. Repeat until the second white dot from the letter 'S' (first white dot from the red 'O') appears in the center of the Exposure Counter. The film has now been positioned for the first shot.

* The film is advancing properly if the Film Rewind Knob turns while the Film Advance Lever is winding.

* The white dots between the numbers in the Exposure Counter represent odd numbers.

* You can position the film faster by setting the Shutter Speed Selector to 1000 and moving the Aperture Ring off auto (orange diamond) mark because the shutter will trip faster.

(7) Film identification The Film Confirmation Window in the camera back will tell you at a glance whether there is film in the camera or not. If you have Fuji film in your camera, it will also tell you the film type and the number of exposures it will yield.

Loading the film with the Fujica Auto Winder Attached
The procedure is the same as that described in (1) to (5) . To wind the film, close the Camera Back, switch the auto winder switch to SINGLE or CONT. and press down the Shutter Release.

* If the film does not advance, turn off the auto winder and switch it once again to SINGLE or CONT.

* For further information read the Auto Winder instruction manual.

5. FILM SPEED SELECTOR


After loading the film, be sure to set the Film Speed Selector beaches your pictures will not be properly exposed if it is not set for the speed of the film loaded in the camera. The speed of the film you are using is printed on the film box.

(1) While pressing in the Film Speed Selector Lock (a white button at the side of the Film Speed Selector, turn the selector dial and set it for the speed of the film you are using, that is, if you are using an ASA 100 film, set the number 100 opposite the Film Speed Setting Mark.

* The marks labeled +1 and -1 on each side of the Film Speed Setting mark are used for making exposure compensation. Be sure to use the center mark for setting the Film Speed Selector.

(2) The lines etched between the numbers on the Film Speed Selector represent the ASA speeds shown in the illustration above.

(3) The corresponding ASA and DIN film speeds are as follows:

ASA 253240506480100200250320400800
DIN161617181920212425262730

6. AIMING THE CAMERA
1) Hold the camera with your left hand as shown, press the left elbow against the side of your chest, relax your right hand and press the Shutter Release gently down.

2) When shooting with the camera held vertically, try to keep it extra steady because it will be less stable in that position,

3) The film is advanced with the right thumb and the Shutter Release is depressed with the right for finger.

1. NUMBERS AND LETTERS ON THE SHUTTER SPEED SELECTOR

Your Fujica AX-5 is a super-sophisticated multimode automatic exposure camera which is capable of programmed, aperture preferred, and shutter preferred automatic exposure, as well as manual exposure.

Your AX-5's shutter is controlled electronically from 1/1000 - 2-sec. through B regardless of 2. CHOOSING THE EXPOSURE MODE

The Shutter Speed and Aperture Ring setting for automatic exposure are as follows:

Aperture Ring
Setting
Shutter Speed
Selector Setting
Exposure Mode Indicator
in Viewfinder
Reprogrammed AEOrange auto mark AEP
Aperture-preferred AEManual setting from
max.-min. aperture
AE or AELF
Shutter-preferred AEOrange auto mark manual setting from
1/1000 - 1/2 sec.
T

Notes: 1. To move the Aperture Ring to the orange auto mark and from there back to the apertures for manual setting, turn the ring while pressing down the Safety Lock Pin provided on it.

2. When the Shutter Speed Selector is set to AEL for aperture-preferred automatic exposure, the exposure setting seen through the Viewfinder when the Shutter Release is depressed halfway will remain locked until you take your finger off the Shutter Release. In other words, the shutter speed will remain the same even if there are changes in the subject brightness (aperture values). (Refer to the paragraph entitled 'AK Lock' on page 35.)

3. VIEWFINDER INFORMATION

The information provided in the Viewfinder of your AX-5 is as follows:

If an f-number which falls between the numbers etched on the viewfinder aperture scale has been selected, the LED opposite the number nearest to it will turn on.


2. 3. 4. 5.

(1) Red exposure mode indicator
(2) Aperture scale
(3) Yellow LED aperture indicator
(4) Red LED shutter speed indicator
(5) Shutter speed scale

Example: If you are using an F1.6 lens and have Set the aperture at 1.6, the LED opposite F 1.4 will turn on, and if you are using an F1.8 lens and have set the aperture at F1.8, the LED opposite F2 will turn on, etc.

Sometimes, however, it may not be the LED opposite the nearest number that will turn on. For example, the LED opposite F2 may turn on although the selected aperture is F1.6, but this is extremely rare and can be ignored.

4. PROGRAMMED AUTOMATIC EXPOSURE

Programmed automatic exposure permits the camera to automatically set both aperture and shutter speed for optimum exposure. Unlike the aperture-preferred or shutter-preferred mode, it rarely requires you to check whether the selected aperture or shutter speed is useable and is therefore suitable for taking quick shots. It is usually best, therefore, to carry your camera around with it set for programmed AK.

(1) Set the orange auto mark on the Aperture Ring opposite the Aperture Setting

4. Chart showing the exposure combinations of the programmed mode

The shutter speed and aperture combinations in the Viewfinder will vary as shown along the thick diagonal line, but they may sometimes differ from the actual values that will be used. For example, a subject having a light value of 9 will actually be exposed at F4.8, 1/20 sec. although the viewfinder indication will be F4, 1/30 sec.

With an F1.4 lens or F2.8 lens on the camera, the shutter speed alone will slow down by an initial speed of 1/2 or 1/8 sec. respectively.

5. APERTURE-PREFERRED AUTOMATIC EXPOSURE

This is the mode to use when the emphasis is on the aperture, that is, when you are taking a portrait and want to blur out the background to make your subject stand out (use the largest possible aperture) or when you are taking a close-up and want maximum depth of field so that everything in your picture will be sharply focused (use the smallest possible aperture).

(1) Set the Shutter Speed Selector to AE or AEL.
(2) Set the Aperture Ring to the desired value, that is, it you are using an EBC X-Fujinon 1:1.6, 50mm lens, set it anywhere from 1.6 to 16.

(3) The LEDs in the Viewfinder will turn on to show you the selected aperture and the shutter speed coupled to it by the camera when the Meter Button is depressed or the Shutter Release is pressed halfway down.

* If the reading is as shown above, exposure will be made with an aperture of F2 and a
shutter speed of 1/125 sec.
(4) Over and underexposure warning
If the aperture you selected is not compatible with the camera's shutter speed range; that is, if it is too large and needs a shutter speed which is faster than 1/1000-sec., the red LED opposite '1000' will turn on and blink (at the rate of
8 times a second) to warn you that your picture will be overexposed; and if it is too small and needs a shutter speed that is slower than 2 seconds, the red LED opposite '2S' will turn on and blink (also at the rate of 8 times a second) to warn you that your picture will be underexposed.

Fujica Single 8 P300 User Manual Free

(5) If you are taking a dimly lit subject on aperture-preferred AE, the camera may provide a shutter speed of less than 1/30-sec. depending on the aperture you selected, in which case you will have to guard against camera shake by mounting the camera on a tripod or using something firm to support the camera, such as a table or the top of a chair.

6. SHUTTER-PREFERRED AUTOMATIC EXPOSURE

In contrast to the aperture-preferred mode, which is used mainly for creating artistic affects such as intentional blurs, the shutter-preferred mode is used mainly for taking action pictures with the shutter speed normally set to 1/60-sec. or faster to eliminate the effects of camera shake. This is the mode to use if you want to freeze action with a fast shutter speed or create the appearance of motion in your picture with a slow shutter speed.

(1) Set the orange auto mark (a) on the Aperture Ring opposite the Setting Mark.

(2) Set the Shutter Speed Selector to the speed you want.

Notes:
1. If the Shutter Speed Selector is in AS or AEL position, turn it while pressing in the Shutter Speed Selector Lock.

2. If you are shooting on shutter-preferred AE, it is not recommended to set the Shutter Speed Selector Dial to 'B', '1' or '2S'. If you want to use these speeds, you'll have to use manual exposure.


(3) The LEDs in the Viewfinder will show you the selected shutter speed and the aperture provided by the camera when the Meter Button is depressed or the Shutter Release is pressed halfway down.

* If the reading is as shown above, exposure will be made with a shutter speed of 1/250~sec. and an aperture of F11.

Notes:
1. If two yellow LEDs turn on at the same time, exposure will be made with an aperture that lies between them.

2.In the shutter-preferred AE mode, the aperture which will be automatically set by the camera may vary + 1 step maximum. To correct this, the camera can provide automatic shutter speed compensation of + 1 step for the shutter speed you have set.

(4) Automatic shutter speed compensation
If the lens you are using does not have an aperture that will accommodate the shutter speed you selected, the yellow LED at the top or bottom of the aperture scale will turn on and blink. However, even if you trip the shutter by mistake, your picture will be properly exposed because the Fujica AX-5 is built to provide automatic compensation for shutter speed.

* If the brightness of your subject is beyond the camera's light metering range (EV 0 - 19, see page 34 Light metering range), however, your picture will not be correctly exposed.

* If, after setting the shutter speed, the yellow LED opposite '22' blinks to warn you of overexposure as illustrated in the right-hand figure the normal thing to do is to use a faster shutter; speed to turn off the warning, but even if you should trip the shutter, it will automatically switch to a higher speed to provide correct exposure.
Note: When the Aperture Ring is set to the orange auto mark , an X-Fujinon DM lens will provide an aperture equivalent to F22 even if its minimum aperture is F16 as in the case of the AX-5's F1.6/50mm lens. Depending on the shutter speed setting, therefore, the yellow LED opposite '22' may sometimes turn on. In this case, you will have to reset the shutter speed so that yellow LED moves down to 16 or under.
4) FOCUSING THE LENS
* Eyesight adjustment lens The far- or near-sighted can use an eyesight adjustment lens
(+2, +0.5, -2.5, -4 diop., optional accessory). It will let you focus the lens without glasses.

In the center of the viewfinder of your Fujica AX-1, you will see a split-image spot, a microprism collar around it which, in turn, is surrounded by a ground glass screen. Any one of them can be used for focusing the lens.

FOCUSING WITH THE SPLIT IMAGE CENTER
1) Look through the Viewfinder, center the part of the subject on which you want to focus the lens in the split-image center and turn the Distance Ring.

2) Your subject is in sharp focus when the upper and lower segments of the image in the split image center fall in line. This method of focusing is best for taking pictures of subjects that are formed mainly of straight lines such as buildings, towers ate

FOCUSING WITH THE MICROPRISIM COLLAR
1) Look at your subject through the microprism collar and turn the Distance Ring.

2) Your subject is in sharp focus when it appears smooth and clear. This method of focusing is recommended for portrait work.

Focusing with the Ground-glass Screen
Look at your subject through the ground-glass screen and turn the Distance Ring. Your subject is in sharp focus when it appears sharp and clear. This method is recommended for focusing the lens quickly and for copying work.

Focusing by Eye Estimation
Estimate the distance from camera to subject with your eye and set the Distance Ring to that distance (white numbers = meters, green numbers = feet).

This method is best for taking quick snapshots. However, if you are using a large aperture or are taking close-ups, or if you are shooting with a telephoto lens, be sure to focus the lens precisely,

5. REWINDING THE FILM

After exposing a roll of film, wind it back into its cartridge and take it to your photofinisher as soon as possible.

* If you are at the end of a roll and the Film Advance Camera functions

1. Light metering range . ..

2. AE lock (exposure memory} ...

3. Stopped-down automatic exposure . .

4. Manual exposure .....

5. Exposure compensation ...

6. Multiple exposure ....

7. Self-timer ........

8. Controlling the depth of field ..........

9. Infrared photography ...........

10. Taking flash pictures .........

X-Fujinon lens operation and mount adapters .
1. Changing the lens ..

2. Types of X-Fujinon interchangeable lends .

3. Using Praktica screw-mount Fujinon lenses .

System accessories .

Specifications ...............

CAMERA FUNCTIONS
1. LIGHT METER RANGE


The table shows your camera's light metering range with films of various speeds. Since the range at ASA 100 is from EV 2 - EV 19, the range with an F1.6 lens is from EV3 1/3 (at F1.6, 2 sec. to EV 18 let F16, 1/1000-sec.) It applies to the camera's built-in exposure meter's measurements for programmed, aperture-preferred and stopped-down automatic exposure as well as manual.

2. AE LOCK (EXPOSURE MEMORY)

The exposure settings of your Fujica AX-1 can be locked with the AE lock.

(1) When the Shutter Release is pressed halfway down, the shutter speed (indicated by a red LED) coupled to the preset aperture to accommodate the brightness of the subject will remain locked until you take your finger off the Shutter Release. This is referred to as AE Lock (locking the AE or automatic exposure).

(2) The AE lock is useful for making automatic exposure compensation in backlighted situations. To compensate for backlighted portraits, you just bring the camera up close to your subject, press the Shutter Release halfway down and hold it there, then step back and shoot.

* Don't take your finger off the Shutter Release until you trip the shutter.

Notes:
1. As long as the Shutter Release is pressed halfway down, the position of the shutter speed indicating LED will not change even if the Aperture Ring is turned. If you want to use a different aperture, take your finger off the Shutter Release, reset the Aperture Ring, and check the shutter speed again through the Viewfinder.

2. Since the Aperture Ring (orange auto mark ) is not provided with an AE lock the only time you can lock the exposure setting is when the camera is operating in the aperture-preferred automatic exposure mode.


3. STOPPED DOWN AUTOMATIC EXPOSURE
You will have to use stopped-down automatic exposure when shooting with a Praktica screw-mount Fujinon lens (mounted with Mount Adapter X-S), an ultra-telephoto lens, through an automatic extension bellows, a microscope (with Microscope Adapter X) or a Macrocinecopy, or with the lens mounted in reverse (with Reverse Adapter X). And to prevent light from entering through the finder and fouling up your exposure setting, you will have to use the accessory eyecup or eyepiece cap.

1) Set the Shutter Speed Selector to AE or AEL.
2) Set the Aperture Ring to the desired value.

3) Press in the Preview Button and, while holding it there, look through the Viewfinder and press the Shutter Release halfway down to make sure that neither the overexposure nor the underexposure warning signal is blinking.

4) Take your picture by pressing the Shutter Release gently down,

Note: If you are shooting with the Shutter Speed Selector set to AEL, be sure to press in the Preview Button before you press the Shutter Release halfway down because your picture will not turn our properly exposed if you do it the other way around.


Shooting through a microscope or macrocinecopy


1) Set the Shutter Speed Selector to AE or AEL.
2) Look through the Viewfinder and press the Shutter Release halfway down to make sure that neither the overexposure nor the underexposure warning signal is blinking.
3) Take your picture by pressing the Shutter Release gently down.

Stopped-down automatic exposure
Shooting with a Untar-telephoto lens, with a lens mounted in reverse,
and through an auto Extension Bellows


1) Set the Shutter Speed Selector to AE or AEL.
2) Set the Aperture Ring to the desired value.
3) Look through the Viewfinder and press the Shutter Release halfway down to make sure that neither the overexposure nor the underexposure warning signal is blinking.
4) Take your picture by pressing the Shutter Release gently down.

4. MANUAL EXPOSURE

In the manual mode, both the shutter speed and aperture are set manually.

(1) Set the Shutter Speed Selector to the desired speed .

(2) Set the Aperture Ring to the desired value.

(3) Look through the Viewfinder and press the Shutter Release halfway down for depress the Meter Button).

(4) If the shutter speed and aperture you selected are 1/125 sec. and F4 respectively and the yellow LE D opposite F8 turns on and blinks, the correct aperture is F8.

(5) Move the Aperture Ring from F4 to F8 or, if you must use an aperture of F4, move the Shutter Speed Selector from 125 to 500 to turn off one of the yellow LEDs and stop the blinking.

(6) After making the correct setting, take your picture by pressing the Shutter Release gently down.

(7) You can easily make exposure compensation by taking advantage of the function just described. In the case shown in the above illustration, you can intentionally underexpose by 1 EV by setting the Aperture Ring to F11 or overexpose by 1 EV by setting it to F5.6:

(8) To take pictures requiring long exposures of 2 second or more, set the shutter speed selector to 'B'. The shutter will remain open for as long as the shutter release is held depressed so that you can trip the shutter when you want to.

5. Exposure compensation
Under normal conditions your pictures will be properly exposed without exposure compensation, but if you are shooting under special lighting conditions (against the light, etc.), or if you are taking intentional high key pictures (overexposed pictures) or intentional low key pictures (underexposed pictures), or if you are taking pictures under the conditions shown in the accompanying chart, exposure compensation is mandatory.

The procedures for making exposure compensation are as follows:


Just press in the Film Speed Selector Lock, move the film speed setting to the mark labeled +1 or -1 and take your picture. (Be sure to move it back to its original position after making your exposure.)

Exposure Compensation with the Camera on Manual
(Refer to the Paragraph on Manual Exposure, Page 40.)
After checking the correct aperture indicated by the yellow LED in the Viewfinder, turn either the Aperture Ring or Shutter Speed Selector to increase or reduce exposure by the desired amount.

Exposure Compensation with the AE Lock (Refer to the Paragraph on AE Lock, Page 35.)
Set the Shutter Speed Selector to AEL and use the AE lock to make exposure compensation.

Exposure Compensation Chart


5. MULTIPLE EXPOSURE
Multiple exposure is used to create special picture effects by superimposing the same scene or another scene several times on the same frame. It is easy to do with your Fujica AX-5.


1) Take your first picture.

2) While pressing down the Rewind Button, wind the film with the Film Advance Lever. (The film will remain stationary, the shutter will wind, and the Exposure Counter will remain where it is.)

3) After winding the Film Advance Lever, take your second picture. You can repeat (2) and (3) as many times as you want.

Notes:
1. Multiple exposure is normally made by photographing the darker subjects first.

2 It cannot be made with an Auto Winder X coupled to the camera.

3. For best results, use a tripod.

7. SELF TIMER

To take group pictures, family souvenir pictures, etc. with yourself included, use the Self Timer.

1. Mount the camera on a tripod or some other firm support.

2. Wind the film, focus the lens, and make the exposure settings.


3. To prevent light from entering through the Eyepiece, mount the viewfinder Eyepiece to prevent extraneous light from entering it.

4. Push the Self-timer lever toward the camera back as far as it will go.

5. Press the Shutter Release gently down. (You will hear the sound of precision electronics beating time until the shutter trips 12 seconds later.)
Note: 1. Be careful after you start the Self Timer because the shutter will trip the instant the Main Switch is pushed back to it's original position.
2. You cannot turn off the Self-timer once it is activated.

8. CONTROLLING THE DEPTH OF FIELD

To check the effects of the aperture you selected -how well the background has been blurred out or how deep the zone of sharpness is- look through the Viewfinder and stop down the Lens to the taking aperture by pressing in the Preview Button. The reason you can exercise such control is that when the Lens is focused on a point, there will be a zone of sharpness extending to the front and back of that point of sharpest focus which is known as the depth of field of a lens and which works as follows:

1. The longer the lens focal length, the narrower the depth of field and vice versa.

2. The smaller the aperture, the wider the depth of field, and vice versa.

3. The farther the point on which the lens is focused, the wider the depth of field, and vice versa.

4. The zone of sharpness in front of the point of sharpest focus is narrower than the zone of sharpness behind it.


* You can take advantage of this characteristic of photographic lenses to use 'selective focusing,' that is, to draw attention to your main subject by blurring out its surroundings or to make your pictures sharp all the way from foreground to background.

All the interchangeable lenses of your Fuji AX have a depth of field scale etched on the top of the lens barrel. If you are using an F1.6, 50 mm lens and have set the Aperture Ring to F8 and the Distance Ring to 5m, everything approximately between 3.5 and 8.7 meters from the camera will turn out sharp (the distance between the two 8s on the depth-of-field scale.)
Note: The X-Fujinon Z 1:3.5 - 4.2/29 - 47 mm DM and X-Fujinon Z 1:3.5 - 4.5/43 - 75 mm DM lends have a depth of field scale with colored lines, which work together with the colored numbers on the aperture ring. Read the instructions packed with them lenses carefully.

9. INFRARED PHOTOGRAPHY

To take infrared pictures with infrared film in your camera, the Lens is focused on a point slightly short of your subject. The procedure is as follows:

1. Focus the lens on your subject.

2. Check the distance given on the Distance Ring and move that distance opposite the Infrared Setting Mark. Next, put a red filter on the Lens and shoot. (The Infrared Setting Mark is the small red dot located next to the Lens Setting Mark. )

* Read the instruction sheet packed with your infrared film carefully because exposure is not determined by subject brightness.

10. TAKING FLASH PICTURES

Indoor, nighttime, and outdoor backlighted pictures are best taken with a flash.

To take automatic flash pictures with your Fuji AX-5, use either the Fuji Auto Strobe 300X or the Fuji Auto Strobe AZ. (Both are exclusive 'system accessories' of your Fuji AX).

The Fuji Auto Strobe 300X is a large capacity flash having a guide number of 30 and it has a sub light to assist you to take bounce light pictures. By using this flash you can take perfect bounce light pictures every time, although this type of pictures are generally considered difficult to take with flash. In addition, it will automatically switch the camera's shutter speed to 1/60-sec. as soon as it is fully charged.

The Fujica Auto Strobe AZ has a guide number of 17 and it lets you take automatic flash pictures with the entire range of apertures on your camera lens. This is a highly effective flash for taking pictures of groups of people because it interlocks with the camera's film speed selector and extends the shooting distance when the camera is loaded with high speed film. This flash will also automatically switch the camera's shutter speed to 1/60 -sec. as soon as it is fully charged.

When the camera's Shutter Speed Selector is set to AE OR AEL, both auto flash units will let you take automatic flash pictures as soon as they are fully charged. The camera is capable of non-flash automatic exposure until they are fully charged, so even if the shutter is released by mistake, you will get a correctly exposed picture. You can also take continuous flash pictures in combination with the Auto Winder X.

1. Taking Automatic Flash Pictures with the Fujica Auto Strobe 300X

1. Clip the strobe foot into the camera's accessory shoe.

2. Set the camera's shutter speed selector to AE.

3. Set the Strobe's Distance Selector to either the yellow, green, or red mark. Them marks represent the following shooting distances:

Yellow ....1 - 2.7 m {3.3 - 8.9 ft.)
Green ....1 - 5.3 m (3.3 - 17.5 ft.)
Red ..... 1.5 - 10.7 m (5 - 35.3 ft.)

4. Set the ISO/ASA speed selector on the strobe back to the number corresponding to the speed of the film you are using.

5. Read off the aperture you need for the color of the mark you selected and set the camera's aperture ring accordingly.
Example: If you are using an ISO/ASA 100 film (Fuji color HR100) and have set the Strobe's Distance Selector to the green mark, the aperture is F5.6 so you'll have to set the camera's aperture to F5.6.

6. Turn on the Strobe Switch. You can go ahead and shoot as soon as the ready lamp turns on.

7. To take your picture, focus the lens, compose your subject, and press down the shutter release.

If your subject is standing near a wall, you will get distracting shadows in your picture if you flash it from the front. The situation calls for using bounce light.
The Fujica Auto Strobe 300X has a head that will tilt O - 90ø, and when tilted, it automatically converts into a twin flash having a main (G. No. 25) and a sub (G. No. 6) face to prevent your subject from becoming underexposed.

2. Taking Automatic Flash Pictures with the Fujica Auto Strobe AZ

1. Clip the strobe foot into the camera's accessory shoe.
2. Set the shutter speed to AE or 60X.

3. If you are using an X-Fujinon DM lens, set the Strobe's F-number dial to F1.4 (marked in red). If you are using an X-Fujinon lens, set it to the maximum aperture of the lens.

4. You can use any aperture you wish but the shooting distance will differ depending on the aperture and the speed of the film you are using. (Use the accompanying chart as your guide for selecting the aperture).

5. Switch the strobe switch to 'AUTO' and shoot as soon as the Ready Lamp turns on.
6. To take your picture, focus the lens, compose your subject, and press down the Shutter Release.

10. TAKING FLASH PICTURES


Note: The continuous diagonal lines on the right show the farthest shooting distances and the hyphenated lines on the left show the nearest shooting distances.

Example: ISO/ASA 100 film, F4 .. 0.5 - 4m (1.7 -13.2 ft.) The nearest shooting distance for ISO/ASA 25 and 50 films is 0.5 meter at all apertures.

3. Taking Automatic Flash Pictures with Other Auto-flash Units

Set the Shutter Speed Selector to 1/60 sec. (X sync) and set the Aperture Ring to the specified value. The flash will do the rest to give you correctly exposed pictures. (For details, read the instructions packed with the flash you are using).

4. Other Flash Units

You'll have to find the correct aperture to use by dividing the flash guide number by the distance from flash to subject and set the Aperture Ring accordingly.

Example using an ISO/ASA 100 film (Fujicolor HR100)
Flash guide number (ISO/ASA 100, meters) ...20
Flash to subject distance ...........5m
Since 20 divided by 5 = 4, the correct aperture is F4.

Example using an ISO/ASA 400 film (Fujicolor H R400) The guide number is double that of the ISO/ASA 100 film so 40 divided by 5 = 8 and the correct aperture is F8.

If your computation yields a number which falls between two f-numbers given on the Aperture Ring, set the Ring to the smaller of the two numbers (larger aperture).
CAUTION:
Your Fujica AX-5 does not allow allow you to take auto flash pictures if the Aperture Ring is set to the Auto (Orange ) mark, that is, if the camera is operating in the shutter-preferred or programmed mode.

X-Fujinon lens operation and mount adapters

1. CHANGING THE LENS

An advantage of the SLR camera is that it permits you to use many different kinds of lenses, and there are a wide variety of high performance X-fujinon interchangeable lenses of outstanding color compatibility available to you for taking scenic, portraits, snapshots, etc.

2. TYPES OF X-FUJINON INTERCHANGEABLE LENSES

There are two types:

X-Fujinon DM Lenses {Lenses with an Orange Mark on the Aperture Scale)

These are capable of full aperture metering and programmed, shutter-preferred, and aperture-preferred automatic exposure.

However, your Fujica AX-5 is provided for full aperture metering and aperture-preferred automatic exposure only. Do not set the Aperture Ring to the orange (diamond) mark.

1.Auto-diaphram lug

(Stops down the aperture to the preset value just before exposure by the operation of the Aperture Control Lever in the camera body.)


2. Full aperture signal pin

(Having a special built-in resistor for full aperture, it signals the viewfinder indicator and auto strobe circuits in the camera body on contact with a pin in the body.)


3. Aperture keying lug

(It signals the f-number to the camera body, works at 6 degrees intervals per step, and stops the aperture down to minimum when the Aperture Ring is set for the orange mark.)


4. Lens auto/manual groove

(When a DM lens is mounted, it presses in the auto/manual pin in the camera body to activate the automatic aperture setting circuit, and when the lens is on manual, it activates the circuit for stopping the aperture down to the preset value.)


X-Fujinon Lenses (Lenses without the Mark on the Aperture Ring)

These can be used for full aperture metering and aperture-preferred automatic exposure but not for programmed and shutter-preferred automatic exposure. They are not provided with functions (2) and (4) of the DM lenses.


3. USING PRAKTICA SCREW-MOUNT FUJINON LENSES

These lenses are mounted on your Fujica AX-5 with the Mount Adapter X-S (optional). The procedure for taking pictures is explained below. For details read the instructions packed with the adapter.

1. Screw the Mount Adapter X-S on the rear end of your lens.

2. Place the red dot on the adapter's rear end against the red dot on the camera's Lens Mount and turn the lens 65ø tO the right (clockwise). It will lock into position with a click.

Set the adapter's aperture scale for the maximum aperture of the lens you are using. If the adapter does not have that f-number, set it to the one nearest to that number.

Example: F 1 .6/55mm lens set adapter to F 1.4

F1.8/55mm lens set adapter to F2

Note: If the adapter's aperture scale is set to M, it will work in practically the same way as the Mount Adapter X-S. Follow the procedure shown below for the Mount Adapter X-S.

Praktica Screw-mount Fujinon Lens with Mount Adapter X-S

The exposure mode possible in this case is stopped down automatic exposure.

(1) Screw the Mount Adapter X-S on the rear end of your lens.

(2) Place the red dot on the adapter's rear end against the red dot on the camera's Lens Mount and turn the lens 65° to the right (clockwise). It will lock into position with a click.

Note: If you are shooting with an adapter, the LED aperture indicator in the viewfinder will always turn on in the lowest position regardless of the aperture which is set. Caution is required, therefore, because it is impossible to check the aperture while looking through the viewfinder.

CAMERA CARE

* After you are through shooting, be sure to trip the shutter by pressing down the shutter release button.

* Normally. your camera does not need lubricating. It should never be oiled or taken apart except by a qualified service technician.

* Periodically, dust off your camera and wipe it with clean, lintless cloth. Use an air blower to remove dust and film debris from the interior.

* If you are not using your camera for a long interval, take it out of its case, remove the battery, and store it away from moisture, heat, and dust. The best way to store it is to keep it in a lidded container together with some desiccant, such as silica gel.

* Guard the lens and viewfinder against finger marks and dust. Use an air blower to remove dust. Finger marks are removed with Fuji Lens cleaning Fluid or Lens Cleaning Paper. Do not touch the mirror because it will damage easily.

* Keep a note of your camera and lens numbers so that you can trace them in cam they go astray.

* If you are shooting sea-side scenes, carry the camera in a vinyl bag and take it out only when you need it. After you return home, wipe off salt and sand with a piece of clean, lintless cloth.

* Take your camera to your service technician for its checking about once every two years. It will give you better and longer service.

* On hot days, do not leave your camera in your car or in moist places except temporarily for a very short time.

* In freezing weather, keep it warm by putting it in the case and carrying it inside your wind breaker and take it out only when it is needed.

* Guard against dropping your camera on the floor and do not leave it in direct sunlight.

SPECIFICATIONS:

Description: Automatic exposure 35 mm SLR with focal plane shutter.

Exposure Modes: Shutter preferred, aperture-preferred, programmed automatic exposure;manual exposure.

Picture Size: 24 x 36 mm

Interchangeable Lenses: X-Fujinon DM lenses; X Fujinon lenses; Fujinon lenses (capable of automatic exposure when mounted with the Fujica Mount Adapter X-S).

Standard Lens: EBC X-Fujinon 1:1.6 f=50 mm DM, 6-component, 6-element X-Fujinon Z 1:3.5 - 4.5 f=43 - 75 mm DM. 7-component, 7 element.

Lens Mount: Fujica X Mount (bayonet mount) :65' turn: 43.5 mm flange back

Viewfinder: Silvered pentaprism eye level type.

Finder Field of View: 92% vertically and horizontally.

Finder Magnification: .86X (with 50 mm lens set to infinity}

Finder Dioptry: -1.0 diopters, Focusing Three-way (split-image, microprism, ground glass screen)

Viewfinder Information: LED exposure mode indicator, shutter speed scale, aperture scale, over and underexposure warning, battery check signal.

Finder Information Reading: By turning on the main switch and pressing the shutter release halfway down or the meter button all the way down.

Finder Eyepiece Construction: Built for attaching right angle finder. eyesight correction lenses and eyecup

Eyepiece shutter: Built-in for preventing entrance of unwanted light.

Finder Eyepiece: Construction Built for attaching right angle finder, eyesight correction lenses and eyecup

Mirror: Coated, quick return type.

Automatic Exposure Control: Three-magnet, electronic control interlocking with shutter speed and aperture selectors.

Light Metering: Silicon photocells. center-weighted averaging system.

Light Metering Range: ISO/ASA 100: EV 0 - 19 (F1.4 2 sec -F22 1/1000 sec)

Film Speed Setting: ISO/ASA 12 - 3200,1/3 step, provision for locking.

Exposure Compensation: 1 stop by means of the camera s fractional exposure control

Exposure Memory (AE Lock): Locking the exposure setting by pressing the shutter release halfway down and holding it there.

Depth of Field Preview: Pushbutton

Manual Exposure: By setting both the shutter speed and aperture manually and making adjustments by checking the settings against the LED aperture indicator in the viewfinder.

Shutter: Cloth focal plane, electronically controlled from 1/2 second to 1/1000 second in 1/4 steps (digital control; oil less metal.)

Shutter Speed Scale: B, AEL, AE, 2S, 1, 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/500, 1/1000.

Power Source: 6V silver-oxide battery (4SR44), alkaline-manganese battery (4LR44) or lithium battery.

Battery Condition Signal: Blinkingof a red LED in the viewfinder opposite the letter B on the shutter speed scale.

Main Switch: On/off switch located on the camera top; also serves as the self-timer switch.

Shutter Release: Two-step electromagnetic release; first step activates light meter and viewfinder information circuit, second step completes exposure; provided with meter button.

Multiple Exposure: By winding the film while pressing in the film rewind button.

Self-timer: Electronically controlled; trips shutter in 12 seconds; audible signal (beep-beep) keeps you alert until
shutter trips.

Sync Contact: X contact. 1/60-sec. hot shoe; special contacts for exclusive flashes.

Auto-flash System:Automatic shutter speed setting with exclusive flash; automatic flash exposure.

Camera Back: Snaps open when the film rewind crank is pulled out:
can be removed and replaced with a data back (Fujica Photo Recorder, optional! for printing data
on the film.

Film Loading: Multiple-slit take-up spool for easy loading.

Film Advance: Single-stroke lever on camera top: provision for advancing film in small increments 144 degree winding angle, 25 degree stand off.

Exposure Counter: Automatic reset, additive; counts backward during film rewind, remains still during multiple exposure.

Film Rewind: Rewind button and crank button automatically returns to normal position when crank is wound.

Dimensions: Body: 135x86x54 mm (5.4 x 3.39 x 2.1 in.)
With 1.6/50 mm lens: 135x86x87 mm (5.4x3.39x3.43in.)

Weight Body: 500g (17.5 oz)
With F1.6/50 mm lens: 695g (24.5 oz.)

Included Accessories:Hard case, carrying strap, lens front cap, viewfinder eyepiece cap, rubber lens hood.

Interchangeable Lenses: See list on page 54.

Optional Accessories: Fujica Auto Winder X. Fujica Auto Strobe AZ, Fujica Auto Strobe 300X, Fujica Photo Recorder, Fujica Mount Adapter X S. Fujica Auto Extension Tube X25, Fujica Auto Extension Tube X50, Fujica Auto Bellows X, Fujica Slide Copier X. Fujica Microscope Adapter X, Fujica Macro Cine Copy X, Fujica Reverse Adapter X, Fujica Focusing Rail X, Fujica Right angle Finder, Fujica Eyesight Correction Lenses, Fujica Eyecup, Fujica Teleconverter 2X.

Fujica Filters: (12 types), Gadget Bags L&S.

Fujica Single 8 P300 User Manual

Notice: Specifications are subject to change without notice.


SYSTEM ACCESSORIES

Your Fujica AX-1/AX-3/AX-5 has a complete assortment of 'system accessories' designed to expand the camera's scope and increase the fun of picture taking.

FUJICA AUTO WINDER X
This compact, lightweight unit is attached to the bottom of your camera to wind the film automatically at a rate of two frames per second so that you can concentrate on your subject and won't miss those decisive moments that can easily be lost forever. It will advance the film continuously while the shutter release is depressed or one frame at a time each time the shutter is tripped. It operates on four penlight batteries and a red LED will turn on while the film is advancing.

FUJICA PHOTO RECORDER
This data back is interchangeable with the Camera Back and is equipped with a hand-writing pen that is inter linked with a 'light pen' for printing in data (up to about 30 letters) in the bottom left corner of the picture. The Camera Back can be easily detached by pushing down the hinge pin.

FUJICA RIGHT ANGLE FINDER

An accessory for simplifying viewing when the camera must be held low to the floor or when it is attached to a copying board. It is provided with an eyesight adjustment lens.

FUJICA AUTO EXTENSION TUBE

They are used for taking ultra close-ups and have a tube length of 25mm and 50mm. Combined with a normal lens, the X25 unit provides 1/2-actual-size, and the X50 unit life size, pictures. Exposure setting is easy because it offers full aperture metering and automatic stop down.

FUJICA AUTO BELLOWS X

Designed for taking ultra-close-ups, it provides 1 - 3X magnification in combination with a 50mm normal lens. It is equipped with an automatic diaphragm to allow you to focus with the aperture wide open. Convenience accessories include a focusing rail and a slide copier.

This is used in combination with the Fujica Auto Bellows X to permit simple, accurate focusing.

Attached to the front end of the Fujica Focusing Rail X, this copier simplifies copying of color and black and white slides as well as roll-film pictures.


Attached to a F 1.6 50mm normal lens, it lets you take close-ups of subjects about 32 to 48cm away from the camera lens.


This accessory Is used for copying pictures taken on 8 and 16mm films.




SYSTEM ACCESSORIES

FUJICA FILTERS (12 types)
Filter Film type Uses
SKYLIGHT (1B)Black and White, colorReduces the blue-greenishness in landscape picture.
Used also for lens protection.
UVBlack and white, colorUltraviolet absorbing filter. Used also for lens protection.
SY48Black and whiteYellow filter. For landscapes.
S056Black and whiteOrange filter. For pictures of mountains and distant landscapes.
SR60Black and white Red filter.For strong contrast and infrared pictures.
ND4XBlack and white colorGray filter. For reducing the light intensity.
LBA-12ColorColor conversion filter for tungsten film.
LBB-12Colorconversion filter for daylight film.
FL-WColorLight balancing filter for shooting in fluorescent light.
PLBlack and white, color Removal of reflections.
CROSS4Black and white, colorFor special effects. Contains a cross screen.
MULTI-5Black and white, colorFor special effects. Yields multiple images (5) on the same frame.
Fujica ST605N


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1. Film Advance Lever

2. Shutter Speed Selector Dial

3. Film ASA Speed Window

4. Frame Counter / Additive type automatically resets

5. Shutter Release Button / Provided 6. Shutter Speed Mark (red dot)

7. Neck strap Eyelet

8. Self-timer Start Button (hi) Self-timer Set Lever / The shutter is activated in 8 - 10seconds

9. Combination Exposure Meter Switch-Aperture

10. Selector Button

11. Taking Lens

12. Accessory (hot) Shoe

13. Hot Shoe for X Contact

14. Combination Rewind Crank-Camera Back Lock

15. Film Plane Mark

16. Lens Mounting Screw / Praktica thread mount

17. Aperture Selector Ring

18. Aperture / Distance Mark

19. Depth of Field Indicator

20. Distance Scale

21. Focusing Ring

22. X Contact Socket

23. Film Rewind Spindle

24. Battery Chamber / Insert two nickel-zinc batteries for powering the camera Electric Eye System.

25. Film Rail.

26. Guide Rail / The film is passed over the Film Rail and the edges go between the Guide Rail

27. Viewfinder Eyepiece / Designed for attaching the Eye Cup. etc.

28. Sprocket Wheel / The film perforations are engaged with the sprocket teeth to advance the film

29. Take-up Spool

30. Pressure Plate

31. Camera Back

32. Film Chamber

33. Tripod Socket

34. Film Rewind Button

SPECIAL FEATURES

1. Improved Through-The-Lens Exposure Meter

The exposure meter of the FUJICA ST605N consists of 2 Silicon photocell light receptors located on either side of the viewfinder eyepiece, which are connected to an FET (Field Effect Transistor) circuit and are coupled with the shutter and diaphragm It measures the average light intensity which falls on the entire surface of the focusing glass In other words. it measures the light that has passed through the lens and will actually reach the film

Its special features are: high sensitivity, complete accuracy, instantaneous response, and a spectral sensitivity close to that of color film. Other merits are its compatibility with any lens that can be mounted on the camera, and elimination of the necessity of making exposure corrections in taking close-ups and in shooting with a filter on the lens because the light that has passed through the selected aperture is the light that is measured

2. World Renowned FUJINON Lens

The interchangeable lenses of the FUJICA ST605N are widely known for their superb color definition and perfect corner-to-corner picture sharpness and clarity.

3. A Complete Camera System in Itself

A wide range of interchangeable lenses, accessories, and its improved through-the-lens exposure meter make the FUJICA ST605N a complete camera system in itself capable of handling any picture-taking situation and subject

BASIC STEPS

1. Load the Film

Pull the Combination Film Rewind Crank Back Cover Lock fully until the Camera Back automatically snaps open. Next. load the 35mm film cartridge into the Film Chamber and insert the film into 2. Set the Film Speed

If you are using a FUJICOLOR Fell or FUJICHROME R100 (ASA 100) film, pull up the top of the Shutter Speed Selector Dial and turn it until the number 100 appears in the center of the ASA Film Speed Indicator Window.

3. Set the Frame Counter to 1 (the first white dot before the number 2)

The odd numbers of the frame counter are represented by white dots Wind the Film Advance Lever and press the Shutter Release Button Do this twice, and on the 3rd winding, the first white dot on the film counter (frame No 1 ) will move opposite the triangular mark

4. Set the Shutter Speed Selector Dial

Turn the Shutter Speed Selector Dial to the speed desired. If you are shooting out of doors, the shutter speed will be either 1/125 sec. or 1/250 sec If you are shooting indoors, it will be 1/30 sec or 1/60 sec The shutter speed can also be set with the shutter speed scale and green indicator needle in the viewfinder (left side edge) The needle is set by turning the S h utter S peed Selector.

5. Focus the Lens and Frame Your Picture

(1) Look through the Viewfinder Eyepiece and turn the Focusing Ring to focus and frame your picture

(2) To focus, turn the focusing ring to make the upper and lower segments of the split image in the microprism center spot converge and form a perfect fit.

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6. Set the Exposure

Press the Combination Exposure Meter Switch - Aperture Selector Button with the finger to activate the exposure meter needle in the viewfinder and turn the Aperture Selector Ring until the needle moves into the center of the indentation You can also set the aperture first then adjust the needle by turning the Shutter Speed Selector Dial. The aperture will return to wide open again as you release the switch.

7. Press the Shutter Release Button

Hold camera steady to prevent shake and gently press the Shutter Release Button.

8. Rewind the Film

After you have exposed the entire roll of film, press the Film Rewind Button, erect the Film Rewind Crank, and turn it in the direction pointed by the arrow and wind the film back into the cartridge, until you feel tension released Next, lift the Back Cover Lock fully up until the camera back snaps open Now, remove the cartridge

BATTERY INSERTION

1. Open the Cover

Insert a coin into the slot of the Battery Chamber Cover ~ located on the upper back side of the body and turn it counter-clockwise.

2. Load the Batteries

Insert two nickel-zinc batteries, one on top of the other, into the battery chamber with the plus sides (+) facing outward and close the cover.

· If you are buying new batteries, be sure to specify 1.5V silver oxide batteries (Eveready S-76E, Mallory MS-76H or UCAR S-76E)

3. Check the batteries

(1 ) Set the ASA Speed Selector (a) to 100 the Aperture Selector (2) to F2.2 and the Shutter Speed Selector (2) to 60.

(2) While pressing down the Exposure Meter Switch (10) look through the viewfinder and point the camera toward bright light (fluorescent light etc.).

(3) If the meter needle in the viewfinder moves from the plus side down to the minus side when the camera is faced toward dim light (you can block out the light with your hand). the batteries are loaded correctly.
(4) If the needle remains stationary on the plus side or minus side when the camera is faced from bright to dim light the batteries are either exhausted or improperly loaded and have to be changed or reloaded properly.
· The nickel-zinc batteries and silver oxide batteries will normally last for 1 year

· If you are not using the camera for a long while remove the batteries and keep them where it is dry

· Be sure to wipe both ends of the batteries clean with a piece of cloth before loading. Poor contact may result if
the ends are unclean.

FILM LOADING

1. Open the Camera Back

Lift the Combination Film Rewind Crank - Camera Back Lock ~ fully up until the Camera Back ~ automatically snaps open

2. Load the Film

Insert the cartridge into the Film Chamber (32) with the spool head (projection) pointing to the bottom of the camera. push down the Combination Film Rewind Crank - Camera Back Lock (14) to engage the Film Rewind Spindle (23) with the film spool Pull out the trimmed end of the film and insert it down to the bottom end into the slot of the

3. Close the Camera Back

Wind the film a little with the Film Advance Lever (1) and engage the perforations on both edges of the film with the sprocket teeth. Be sure the film is properly inserted between the Guide Rail (36). Now, press down the Camera Back until it closes tightly with a click.

· If the Film Rewind Crank turns in the opposite direction of the arrow as you wind the Film Advance Lever (1), it means the film has been loaded properly

· The odd numbers of the Film Counter (4) are represented by white dots

· To allow you to take quick shots in succession, the Film Advance Lever (4) will be back with a slight latitude Press it all the way back after you have finished shooting

4. Set the Frame Counter (4) to 1 (the first white dot before the number 2)

Wind the Film Advance Lever (1) all the way to the right and press the Shutter Release Button (5). Do this twice, and on the third winding, the first white dot before the number 2 will move opposite the triangular mark You are now ready to take the first picture

SETTING THE FILM SPEED

Lift the top of the Shutter Speed Selector Dial (2) and turn it to the left or right until the film speed number you want appears in the center of the ASA Film Speed Indicator Window (3) The film speed is printed on the film box. (FUJICOLOR F- II FUJICHROME R100 and NEOPAN SS are ASA 100 films FUJICOLOR F-11400 and NEOPAN 400 are ASA 400 films The calibrations between the ASA numbers represent the following numbers ( I )

· If you are using a film marked for DIN speed. refer to the following conversion table (11)

SETTING THE SHUTTER SPEED

The letter B and the numbers 2 . . . . 700 on the Shutter Speed Selector Dial represent 'bulb' and 1/2 ., 1/700 second. They indicate the length of time the film will be exposed to light The shutter speed scale is also visible in the viewfinder (left side edge)

This camera allows you to set exposure either by the shutter speed or by the size of the lens opening However, it is best to set the shutter speed first. For example. the shutter speed would be from 1/125 to 1/250 sec if you are shooting outdoors. or from 1/30 see to 1/60 sec. if you are shooting indoors

To set the shutter speed. first turn the Shutter Speed Selector Dial while pressing down on it slightly and set the number you want opposite the red dot on the camera body

To set the shutter speed with the scale and needle in the viewfinder, just move the needle into position by turning the Shutter Speed Selector

* Use B (bulb) if the exposure will take 1 second or longer

* There are no intermediate settings between the numbers indicated on the dial.

* 60 is marked in red to remind you that it is the speed used for shooting with electronic flash

* Excepting 1/700 second. each shutter speed is either 1/2 or 2 times the speed of the shutter speed next to it.

Caution:

Beyond B and 700 (see illustration), the Shutter Speed Selector Dial will turn lightly (there won't be any click stops) and the Shutter Speed Indicator Needle in the Viewfinder will point anywhere between B and 700. The actual shutter speed, however, will be either B or 1 /700-sec.

To set the shutter-speed, look through the viewfinder. turn the Shutter Speed Selector Dial and set it accurately at one of the click stops (not between them).


FOCUS THE LENS AND FRAME YOUR PICTURE

1. Focus the Lens

(1 ) Look through the Viewfinder and point the camera so that the main subject is seen through the small
microprism center spot

(2) Split-image Focusing

Turn the Focusing Ring I) until the upper and lower segments of the split image in the microprism center spot converge to form a single image

(3) Microprism Focusing

Turn the Focusing Ring until the image in the microprism center spot appears sharp.

(4) You can also focus with any part of the area surrounding the microprism center spot This method is especially useful when shooting with aperture stopped far down.

(5) The white numbers on the Focusing Ring are for meters and the green numbers are for feet The distance can also be set by visual judgment for quick shooting.

When shooting extreme close-ups the distance from subject to Film Plane Mark (15) must be precisely measured with a tape measure

2. Frame Your Picture

The Viewfinder will let you see 92% of the entire view that will register on your film so that you can go ahead and use the whole length and width of the area in the Viewfinder to frame your picture

· Eyesight Adjustment Lens

The Viewfinder is provided with an eyepiece for those with normal vision If you are near sighted or far sighted, be sure to use an Eyesight Adjustment Lens, otherwise it will be extremely difficult for you to focus the lens precisely Four different Eyesight Adjustment Lenses are supplied as optional accessories: +2, +0.5, - 2 5 and —4 dioptor

CORRECT EXPOSURE

1. Press the Exposure Meter Switch

Point the camera at your subject while looking through the viewfinder and press the Exposure Meter Switch (10). The meter needle on the right hand side of the viewfinder will move up from the ( - ) position. At the same time, the view will darken because the aperture will close down to the one you have selected.

2. Turn the Aperture Selector Ring

Press down the Exposure Meter Switch and turn the Aperture Selector Ring (17) until the needle in the viewfinder moves into the center of the indentation You now have the correct exposure. The aperture can also be set intermediately between the calibrations on the scale to permit fine adjustments.

3. If the Needle Does Not Move into the Center of the Indentation.

If the meter needle does not move into the center of the Indentation by turning the Aperture Selector Ring, you will have to change the shutter speed

· If the needle is near the (+) side. increase the shutter speed. (Example: If the shutter speed is 1/125 sec. turn the dial to 1/250 sec.)

· If the needle is near the ( - ) side. reduce the shutter speed. (Example: If the shutter speed is 1/125 sec., reduce it to 1/60 sec.).

4. Wide Measuring Range

Since the light that is measured is the average light intensity falling on the focusing glass, the range of measurement must differ depending on the speeds of the lens and film. A noteworthy feature of this exposure meter is that it covers a wide range of exposure values If you are shooting with FUJICOLOR F-E (ASA 100j film using a 50mm F1 4 lens, for example. the range covered would be EV2 ~ EV17-2/3 (f/1.4 1/2 sec.- f/16 1/700 sec.). If the lens is 55mm F2.2, the range is from EV3 - EV17-2/3 (f/2.2 1/2 sec. - f/16 1/700 sec ).

The chart on page 55 shows the light measuring range of the FUJICA ST605N's exposure meter. The Shutter Speed Selector Dial can be HOLDING THE CAMERA AND RELEASING THE SHUTTER

1. Hold the Camera Steady

If you don't hold the camera steady. your pictures will not turn out sharp because the camera will shake Be sure to hold yourself in good balance with elbows close against your body and the camera pressed lightly against your face This is all the more necessary if you are shooting with the camera held vertically. Practice a little and get used to these motions

2. Press Down the Shutter Release Button

Be sure to press down the Shutter Release Button (5) gently. Any jerky motion can cause the camera to shake and pictures to be unsharp.

3. When To Use a Tripod

If you are taking a close-up, telephoto shot. or if you are shooting at a shutter speed slower than 1/30 sec . be sure to use a tripod and cable release to avoid camera shake

A cable release is also recommended for shooting long-exposure shots with the camera placed on a table, against a tree, or on some other steady foundation A cable release with a stopper attachment is a very convenient item for shooting with the camera set at B (bulb). You can press open the shutter, hold it in that position with the stopper for as long as you want, then release the stopper to close the shutter

REWINDING FILM AND UNLOADING FILM

After you have finished a roll of film, rewind it back into the cartridge and take it out of the camera

1. Press the Film Rewind Button

First, press down the Film Rewind Button (34) located on the underside of the camera Once you have pressed down this button, you can let it go because it will stay depressed The Sprocket Wheels (28) are now free.

2. Turn the Film Rewind Crank

Erect the Film Rewind Crank (14) and wind it in the direction of the arrow to return the exposed film back into the cartridge. Just before the end of the film is reached, you will fell a slight tension release on the crank. Give it two more turns into the cartridge.
If the film cannot be rewound (this will sometimes happen if the Film Advance Lever is not in the correct position), just depress the Rewind Button and while holding it down, wind the Film Advance Lever all the way through. Next, release the Rewind Button and rewind the film.

3. Open the Camera Back

Lift the Combination Film Rewind Crank - Camera Back Lock (14) until the Camera Back (31) opens with a snap. Now take out the cartridge and send it to the processor - the sooner the better

· Be sure to load and unload the cartridge in the shade away from direct sunlight

· If the end of the film is reached when you have wound the Film Advance Lever half-way around. do not force it because the film might break. Simply press the Film Rewind Button and wind the Film Advance Lever all the way back. The shutter will be wound, but the film will remain stationary. Since you have already pressed the Film Rewind Button. all you need do is turn the Film Rewind Crank

CHANGING THE LENS

A complete range of highly color-compatible, high resolution FUJINON interchangeable lenses are available for shooting scenic, portraits, snap-shots, news photos. and photo records with the FUJICA ST605N

You can also use any lens with a Praktica thread mount on it as well as any Leica mount lens by simply attaching a Leica mount adapter on the camera But the Leica mount lens can only be used for shooting close-ups

How to Change the Lens

Hold the part of the lens barrel with the depth of field scale on it with your hand and turn it counter-clockwise. About 2~ turns will dismount the lens. To mount, repeat the same motion in reverse, but be sure to screw the lens in tightly.

· When changing the lens. be careful not to touch the lens glass or the mirror in the body with your fingers

USING FUJINON INTERCHANGEABLE LENSES

Table of the Fujinon lenses


COUPLING RANGE OF THE FUJICA ST605N'S EXPOSURE METER


Table of the 605N's exposure table

The ASA film speed and shutter speed are coupled over the range shown in the chart on the opposite page To measure the exposure you can use the entire range of apertures provided on the lens you are using. Example: With the ASA speed selector set to 100 you can use a shutter speed of from 1/2 to 1/700 sec. The aperture will automatically be coupled to the shutter speed being used.

EXPOSURE CORRECTION

Any normal subject can be accurately exposed by following the meter reading However, best results are obtained under the following situations by correcting the exposure

1. Back lighted Subjects. etc.

Back lighted subjects or ski scenes, which are dominated by white areas and strong reflections, will turn out with the main subject underexposed. By opening the aperture by 1/2 or 1 full stop, or by approaching the main subject to measure the light intensity, it can be correctly exposed.

2. Spot-lighted Subjects. etc.

A person standing before a black background or a spot-lighted subject in a stage play will be influenced by the dark surroundings and turn out overexposed. The aperture should be stopped down by 1/2 or 1 full stop below that indicated by the meter

3. Copying Documents

The major portion of most documents are occupied by white areas The situation calls for opening the aperture by 1 full stop from that indicated by the meter

If you. want, to be more precise, place an 18% 4. Taking Advantage of the Eye Cup

With the aperture stopped well down, the light reflected from your eye or spectacles (if you are wearing them) will reach the focusing glass and slightly influence the meter reading. To avoid this, use an Eye Cup over the Viewfinder eyepiece.

UTILIZING THE LENS DEPTH OF FIELD

1. What is meant by Depth of Field

To check the effects of the aperture you have selected —how well you have blurred out the background or how wide the depth of sharpness is - all you have to do is to look through the viewfinder, because the aperture will close down to the size you have selected as you press down the Exposure Meter Switch. Thus, the sharpness of a picture extends over a considerable range both in front of and behind the point the lens is focused on. This zone of sharpness is referred to as the depth of field The width of the depth of held differs depending on the lens focal length. subject distance, and lens aperture.

(1) The higher the aperture number (the smaller the aperture), the wider the depth of held. The lower the aperture number, the narrower it becomes.

(2) The longer the focal length of the lens, the narrower the depth of held, and the shorter it is

the wider it becomes.

(3) The farther the distance the lens is focused on, the wider the depth of field.

(4) The zone of sharpness in front of the point of sharpest focus is narrower than the zone of sharpness behind the same point

(5) Example A shows the aperture fully open
Example B shows the aperture stopped down to f/16

A B

2. How to see the Depth of Field All the interchangeable lenses of the FUJICA ST605N are provided with a depth of field indicator on the lens barrel For example, if you are using an F2 2 55 mm normal lens and have set the aperture at f/8 and the distance at 15 feet (5 m), everything from about 11.5 feet (3.5 m) to 28.5 feet (8.7 m) will be in focus

Fujica

USING THE SELF TIMER

If you are taking pictures of a group or if you are shooting a family souvenir picture and want to get into the picture yourself. just use the self-timer First, mount the camera on a tripod, wind the film and push the Self-timer Set Lever all the way down, Next, press the Self-timer Start Button and move back into the picture The shutter will be automatically released in 8 ~ 10 seconds

· You can set the self-timer first, then wind the film afterwards, whichever way you prefer

· Don't press the Shutter Release Button 'instead' of the Self-timer Start Button, because you will release the shutter if you do

· Make sure the Self-timer Lever is pushed all the way down (never part-way down) before depressing the Start Button

INFRARED PHOTOGRAPHY

When shooting with infrared film, remember that the point FLASH SYNCHRONIZED SHOOTING

You can use a flash for shooting indoors and night pictures as well as for supplementary lighting in outdoor photography

1. Electronic Flash

Fujica Single 8 P300 User Manual Software

(l) With a cordless, hot-shoe type electronic flash, all that is necessary is to mount it on the camera's hot-shoe (12).

(2) With other types of electronic flash, the flash unit is mounted on the camera's hot-shoe and the cord is plugged into the camera's X-contact socket (22)

(3) With large-size electronic flash, the flash unit is mounted on the camera with the accessory bracket and the cord is plugged into the camera's X-contact socket.

(4) In each case, the shutter speed is set at 1/60 sec. (marked in red on the Shutter Speed Scale)

2. Sync Ranges - an electronic flash will sync from B to 1/60. Flash bulb are no longer used so I won't print the graph.

3. Exposure

(1) Electronic Flash

Flash guide number divided by subject-to-film distance equals aperture.

Example: Electronic Flash (Guide No. m18/ft.60)

FUJICOLORF-f II, FUJICHROME R100 NEOPAN SS (ASA100)

Subject-to-film distance=3m/l0ft.

18 (GN. m)/60 (GN. ft.) divided by 3 (m)/10 (ft.) aperture) = 6 (f/5.6 is the correct aperture)

(2) Flash Bulb

Since the flash guide number varies with the shutter speed the recommended procedure for determining the aperture is to follow the instructions packed with the flash.

ACCESSORIES FOR THE FUJICA ST6051

Interchangeable Lenses of the FUJICA ST605N

(1) EBC FUJINON · Fish eye 1:2.8 f=16mm
(2) EBC FUJINON W 1:3.5 f=19mm
(3) EBC FUJINON ~ W 1:2.8 f=24mm
(4) EBC FUJINON ~W 1:3.5 f=28mm
(5) EBC FUJINON W 1:2.8 f=35mm
(6) FUJINON ~ W 1:35 f=35mm
(7) EBC FUJINON MACRO 1:3.5 f=55mm
(8) EBC FUJINON FUJINON 1:1.4 f=50mm
(9) FUJINON f:2.2 f=55mm
(10) EBC FUJINON T 1:2.8 f=100mm
(11) EBC FUJINON T 1:4.5 f=200mm
(12) EBC FUJINON Z 1:4.5 f=75~150mm
(13) EBC FUJINON ~ 1:4.5 f=54-270mm
(14) EBC FUJINON ~ T 1:5.6 f=600mm
(15) EBC FUJINON SOFT 1:4 f=85mm
(16) FUJINON Z 1:3.5~4.5 f=43~75mm
(17) FUJINON 1:2.2 f=55mm
(18) Macro Adapter
(19) Camera case
(20) Fujica Auto Strobe AZ
(21) Macrocinecopy Microscope adapter
(22) Extension bellows
(23) Right angle finder
(24) Eye cup
(25) Eyesight adjustment lens
(26) Reverse adapter
(27) Extension tubes

ACCESSORIES FOR CLOSE-UPS AND COPYING

The single-lens reflex camera is the ideal equipment for taking close-up pictures and for copying work. You are assured of simplicity and accuracy with the accessories provided for these purposes.

Fujica Single 8 P300 User Manual 1

· Close-up Lens

If you are shooting a subject that is closer than the shortest shooting distance of the camera lens just screw in the Close-up Lens in front of the taking lens. With a normal lens in place it will let you shoot your subject from as close as 11 inches (28 cm) up to 19.7 inches (50 cm).

· Extension Tube(28)

This is used between the lens and camera body to extend the lens for copying work. Three pieces make a set. Used in combination. they will increase the magnification of a normal lens from approximately 0.34x to 1.2x. These tubes are equipped with automatic diaphragm to allow you to focus the lens with the aperture wide open.

·Extension Bellows (23)

This unit will let you freely adjust the distance between lens and film plane. It is a prime accessory for taking close-ups and high magnification shots of small objects at close distances.

· Reverse Adapter (27)

This accessory is used for mounting the reverse end of the lens to the Extension Bellows unit. to simplify focusing when taking pictures of subjects magnified to larger than life size.

· Leica Mount Adapter

This is used for mounting Leica mount lenses on the camera. Only close-up shots are possible with this adapter in use. You can use it in combination with the extension bellows or extension tubes to mount a FUJINON-ES or FUJINON-EP enlarging lens (These lenses are provided with Leica mount) to take close-ups for maximum sharpness

· Microscope Adapter(22)

This is used in photomicrography for attaching the camera body to the microscope eyepiece

Fujica Single 8 P300 User Manual Download

· Right Angle Finder(24)

This is attached to the Viewfinder Eyepiece to simplify viewing through the kinder when the camera is aimed from a low position or when it is mounted on a copying stand. The eyesight adjustment lens is built in

· Macrocinecopy(21)

This accessory is used for making him reproductions of 8 and 16 mm trims and microscope slides with the FUJICA ST605N. It can also be used as an extension tube for taking extreme close-ups.

EXPAND THE VERSATILITY OF YOUR FUJICA ST605N WITH PROPER ACCESSORIES

The FUJICA ST605Nis provided with a broad range of accessories that will help you to expand the capabilities of your camera

· Lens Hood

This is a vital accessory because it prevents unwanted extraneous light from entering the lens. It is particularly useful for shooting back lighted subjects. The Lens Hood is recommended for shooting under all conditions If you are not shooting you can turn it around and cover the lens with it. The lens cap is made to ht over the Lens Hood in this position.

· Eyesight Adjustment Lens(26)

Eyesight Adjustment Lenses are available to those who kind it hard to focus the lens due to eyesight difficulties. Four different attachment lenses (+2 +0.5 -2 5, and -4 dioptor) are available to the

· Eye Cup (25)

'This is a protection against extraneous light for a clearer view through the Viewfinder. It also prevents light from entering the camera through the Viewfinder Eyepiece.

· Lens Cap

Lens Front Cap Protects the lens front glass.

Lens Rear Cap Protects the rear glass and automatic diaphragm of the dismounted lens.

Fujica Single 8 P300 Manual

Body Mount Cap Protects the interior of the camera body from dust after the lens has been dismounted.

CARE AND STORAGE OF YOUR FUJICA ST605 N

After removing the exposed him from the camera, press the shutter release button to be certain the shutter is released.

Fujica Single 8 P300 User Manual Instructions

· Dust off the camera periodically and wipe it clean with cleaning cloth (example: Silicon cloth) Use a blower brush to clean dust and him fragments that may have accumulated inside the camera

· Guard the lens and viewfinder eyepiece against Anger marks and dust. Use a blower brush to remove dust. Wipe off finger marks gently with lens cleaning fluid and lens cleaning paper. Do not touch the mirror with your fingers.

· If you are not using the camera for a long interval, remove the batteries. place the camera and batteries in separate cases. and store them away from moisture heat, and dust. All the better if you can get hold of some desiccant or similar drying agent to put into the cases together with the camera and batteries
Type 35mm focal-plane shutter single-lens reflex camera with TTL exposure meter coupled with the shutter and diaphragm.
Film Used 135 cartridge-packed film
Picture Size 24 x 36mm.
Normal Lens FUJINON 55mm F2 2 (4 component, 4 element). Automatic diaphragm, multiple increment F-stop calibrations with click stops for intermediate values, thread mount. Rectilinear helicoidal focusing 1.83 ¢ inch (49 ¢ mm) screw-in filter
Distance Scale F2.2 55mm: 2 feet (0 6m)~infinity.
Shutter Focal-plane shutter. B 1/2 - 1/700 sec Film speed indicator window built into Shutter Speed Selector Dial, built-in self-timer X contact and hot shoe.
Viewfinder Pentaprism eye-level viewfinder :0 96 X magnification, 92% field of view (with F2 2 55mm lens): shutter speed scale and indicator needle: microprism focusing center. split image and ground glass Stopped-down TTL center weighted averaging type light metering Silicon photo-cell receptors coupled to FET (Field Effect Transistor) circuit, zero in type indicator needle visible in viewfinder
Mirror Quick return type
Exposure Meter coupled Range ASA 25 - 3200 (1/3rd step), EV2—EV17-2/3 (f/1.4 1/2 sec —f/16 1/700 sec with ASA 100 film)
Power Source Two 1 6V nickel-zinc batteries (Toshiba NZ13) or 1.5V silver oxide batteries
(Eveready S76E, Mallory MS-76H or UCAR 5-76E)
Film Advance Single-stroke lever; 140. winding angle: self winding shutter; easy loading
Frame Counter Automatic resetting additive type
Film Rewind Hand crank
Flash Synchronization X. Hot Shoe
Lens Mount Praktica thread mount, 1 65 ¢ inch (42mm), 0093P inch (1 Pmm)
Dimensions 5 24 x 3 39 x 3 47 inch (133 x 86 x 88mm) with F2.2 lens
Weight 730g with F2.2 lens mounted (including batteries and lens cap). 565g body alone (including body cap).
Optional ExtrasHard Case. Eye Cup. Eyesight Adjustment Attachment Lens, Right angle Finder, Closeup Lens, Extension Tube (auto). Microscope Adapter, Leica mount Adapter, Reverse Adapter, Extension Bellows, Macrocinecopy, Lens Hood